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Andrews, Kerri. "Countering the 'Poverty of Thought in Novels': Radical Authorship and The Royal Captives by Ann Yearsley." Romanticism on the Net, vol. 45, 2007.
Hart, Monica Smith. "Protest and Performance: Ann Yearsley's Poems on Several Occasions." The Working Class Intellectual in Eighteenth and Nineteenth Century Britain, edited by Aruna Krishnamurthy, Ashgate, 2009, pp. 49-66.
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Andrews, Kerri. Ann Yearsley and Hannah More: Patronage and Poetry. Gender and Genre Series, no. 11, Pickering and Chatto, 2013.
Christmas, William J. "Lyric Modes: The Soliloquy Poems of Mary Leapor and Ann Yearsley." Tulsa Studies in Women's Literature, vol. 34, no. 1, 2015, pp. 65-87.
Fairer, David. " 'Flying atoms in the sightless air': Issues of Coherence and Scale in Leapor and Yearsley." Tulsa Studies in Women's Literature, vol. 34, no. 1, 2015, 141-62.
Keohane, Catherine. "Ann Yearsley's 'Clifton Hill' and its Lessons in Reading." Studies in Eighteenth-Century Culture, vol. 41, 2013, pp. 233-53.
Markidou, Vassiliki. " 'As o'e the upland hills I take my way': Rural Landscapes and the Chronotopes of Memory in Ann Yearsley's 'Clifton Hill.'" Victoriographies, vol. 5, no. 1, 2015, pp. 1-16.
Mary Waldron, ‘A Different Kind of Patronage: Ann Yearsley’s Later Friends’, The Age of Johnson, 13 (2002), 283-336